Thomas Cobb
1917: A Fine Example of Non-Identitarian Filmmaking
Thomas Cobb reviews 1917 and examines its position as an outlier both in recent cinema and in the filmography of director Sam...
Joker or Woker? The Ideological Battle Over a Comic Villain's Origin Story
Thomas Cobb reviews Joker and looks at the socio-political wranglings among the commentariat over its true message
Once Upon a Time in Hollywood – The Sly Triangulations of Quentin Tarantino
Thomas Cobb reviews Quentin Tarantino's Once Upon a Time in Hollywood, examining its themes, subtexts and place within the controversial...
History as Chaos: Reviewing The Favourite and Vice
Thomas Cobb reviews two very different Oscar-nominated historical films and explains what they tell us about modern history-based cinema...